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BETTY:
Okay. What the heck are you drinking?
MATTHEW:
It’s Yerba Matte. I’d love to have a cup of coffee, but this doesn’t
have any caffeine in it. If I drink coffee all day, I’ll crash by 3PM
– so this is just another way to keep me up – but it’s all natural.
It’s just a green tea. It’s clean and really good for you.
BETTY:
I’ll have to try it someday. Hey – you’ve been in plenty of movies,
but what’s your own personal favorite movie of all time to watch?
MATTHEW:
Hmmm … my favorite film was “Hud” and my favorite comedy was “Raising
Arizona” - but my most enjoyed film of all time was “King Kong.” There’s
no other film I enjoyed watching as a kid. That was pure enjoyment.
BETTY:
What about music?
MATTHEW:
There’s a couple of killer soundtracks out right now and I have this
question for you … I loved the [music] to “Blue Streak” in the film
- but I bought the album and they put all these heavy lyrics on top
of everything. So in the movie, it had this 70’s cool groove to it and
it was real mysterious and fun, but the album doesn’t have the same
stuff that was in the movie.
Same thing with “Ghost Dog” - the soundtrack in the movie was heavy
instrumental, and I bought it, but they have all this heavy rap on top
of it. I like it, but it’s just not the same. I’m looking for what was
just in the movie!
BETTY:
I hate when that happens!
MATTHEW:
Yeah, and the last couple of years I’ve been into World Music. Anything
with some bass and some percussion I’m really into.
BETTY:
Speaking of music, what was it like working with Jon Bon Jovi?
MATTHEW:
I had listened to his music in the 80’s but I didn’t know him … but
right off the bat he was 100% committed to doing the best job he could
acting and playing his character. He was very humble to the craft and
he wasn’t coming in with his rock-n-roll stage presence. He was always
asking questions and trying to find angles for the character. It’s good
to have your ego out of the way of you’re acting, and there was none
of that on the set when he was there.
BETTY:
While we’re talking about ego, you had to lead these young guys in a
teeny tiny sub during wartime. How’d you develop such a great sense
of authority about you in this role?
MATTHEW:
Everybody on this film has the luxury of not having to worry about going
to war or not. As an actor, you’re an independent soul – but when you
put that uniform on, there’s a regiment and a class organization with
rules and regulations and a structure. That’s what we all had to learn.
BETTY:
How did you prepare for this role as Lt. Andrew Tyler?
MATTHEW:
I didn’t have anybody in mind. My choreography in this part was learning
the military environment. After that, there were things that I developed
from my relationship with my father. In the military, there’s a structure
that, maybe you don’t always get what you want, but if there’s a job
to do – you don’t pout - you don’t hold grudges … you just do it.
BETTY:
What are the dynamics of working with an all-male cast? I mean, there’s
not a woman around for miles in this movie.
MATTHEW:
I was thinking about that earlier. Somebody asked me why there were
no women – but of course there weren‘t. Every woman and child in the
world since 1942 is the romance of this thing. Because if we don’t go
out and win this war, what’s going to happen? What’s Hitler going to
do when he shows up?
You know, working with all these guys – you have a lot of testosterone
running around and with 14 men all hanging out – and there’s certain
things that do go around. When you’re together for 5 months in small
quarters, you’re going to have some crossing of attitudes and personalities
– but nobody ever let anything get in the way of the work we had to
do. There can be a real tendency for groups to clique-up, but we had
a team environment early on.
BETTY:
Well it certainly shows. Thanks for taking the time to yack with me,
Matthew. We’ll look for you and the boys in “U-571”.
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