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| BAIT
Finally. While this summer's limpy noodled non-action flicks didn't give us much to cheer for, "Bait" barrels its way into the arena as a fresh, funny and high impact action thriller. Jaimie Foxx does a bang up job playing a lousy shrimp thief who gets caught up in a game of cat and mouse. When the Feds decide to use him for bait to catch the mastermind behind a botched $40 million heist at the Federal Reserve, all hell breaks loose - as do the laughs. Foxx is a total charmer and his performance only cements his chances at becoming one of tomorrow's most appealing comedic/action stars - something that Eddie Murphy tried but never mastered. David Morse also does a sweet job as an A-Type investigator with the U.S. Treasury who uses our unsuspecting shrimp stealer as "bait" to reel in the bad guy. Rating: 4.0 Martinis |
| BIG
BLUE, THE- THE DIRECTOR'S CUT I liked this movie the first time I saw it back in the late 80s - but now with Luc (The Messenger) Besson's director cut (running a stealthy 2.5 hours long) - I'm beyond ecstatic. What a difference when you let the filmmaker show his film the way he intended it! In fact, if you have the American version, dump it immediately and buy the Director's Cut. Why? Because beyond the tender opening set in Greece and the sweeping photography Besson magically captures, the drop dead gorgeous Jean-Marc Barr is mouth watering to watch. He plays Jacques - a deep sea free diver who loves dolphins so much, he even looks like one. I'm telling you girls (and some of you boys out there) he's the closest thing to a Greek god I've ever seen. And Rosanna Arquette actually pulls off a fine performance as an insurance investigator who falls for the angelic Jacques and struggles with her own desire to be with the free spirit of the sea. But the real treat is the relationship between Jacques and his long-time friend, Enzo (Jean Reno). Touching, and epic in scale, The Big Blue is one film you don't want to miss - but since so few theaters will screen such a long film these days, I recommend you buy it on DVD. Rating: 5.0 Martinis |
| BILLY
ELLIOT Leave it to those darn Brits to come up with a winner. Who knew they had it in them? I mean, their food products may stink, but their latest creation, Billy Elliot, leaves you feeling like you've just witnessed something sacred, special and uplifting all at the same time. From the moment the film opens, we're privy to the wacky and wonderful world of an unusual dance-adoring 11-year-old boy (played brilliantly by Jamie Bell). It's a delightful tale of an English boy living in a coal mining town who decides to trade in his boxing gloves for ballet slippers to pursue a spot in the National Ballet School. Needless to say, his coal digging dad doesn't think too highly of his son's prissy passion, but he soon realizes that the boy's dream is much more of a reality than he ever dreamed of. Now listen up people - I can't tell you enough how wonderful this movie is. And why the MPAA gave it an "R" rating is beyond me. Everyone should see this film, especially boys. It's just plain brilliant. Rating: 5.0 Martinis |
| BLESS
THE CHILD Egad. How this awful thriller got made is beyond me. Kim Basinger plays surrogate mommy to a little girl (Holliston Coleman) who isn't like all the other kids. Instead of watching Barney, this special girl digs spinning Barbie's vette with her mind. Is it a coincidence that the angelic child is named Cody? Me thinks someone was watching too much Regis & Kathie Lee. Because she's the "chosen one" the girl is targeted by a Scientology-ish cult leader named Eric Stark (Rufus Sewell) who is really Satan's handyman. Beyond the ridiculous plot and mind-numbing dialogue, we're led to believe that after this evil band of nutballs kidnap the girl, they actually care enough to take her to the dentist. That's when Kim steals her back, only to have her taken away 5 minutes down the road after a lame car chase. Jimmy Smits plays an FBI agent who went to seminary school - so of course, he knows all about those big bad cults. Blah, blah, blah. If you simply must see this movie, wait until it gets on video, which will be REAL soon. Rating: 1.5 Martinis |
| BRING
IT ON Okay. I love Kirsten Dunst and I had a great time interviewing her. I think she's sweet and extremely talented, but maybe she just needs help picking movies. "Drop Dead Gorgeous" was a drop dead flop and so is this stinker. It's almost taboo to come out against a film like this since it's coated with stuff like "girls just wanna have fun" and "the cheerleading competition is what really matters." But that's a bunch of bull. What really matters in this wanna-be comedy is hanging on to every cliché and tripping over every bad joke in the book. And don't let the marketing of this film fool you. As if teen girls weren't good enough, they're pushing this puppy out to a voyeuristic male audience who want to get their jollies looking at high school chicks taking off their bras and posing by their lockers. This isn't about cheerleading! It's about playing out to the lowest common denominator. And some of it's really unsettling. Other than the negative tone they refer to dykes with, one of the stunts where a straight cheer dude sticks his finger under the panties of a girl in his squad was downright gross. I do give the film points for touching on the racial issue, but it's thrown in there among the bad comedy like an after thought. All in all, "Bring It On" is nothing to cheer about. Rating: 1.5 Martinis |
| BUT
I'M A CHEERLEADER 17-year-old Megan (Natasha Lyonne) is far too strong-willed for her unsuppportive parents, who begin to worry she is - hold on to your bible belt - a lesbian. Their solution? To send Megan to 'True Directions,' a "rehabilitation camp" run by Stepford Wives-ish counselor Mary Brown (Cathy Moriarity). Soon Megan meets the equally defiant Graham (Clea DuVall), and the two form a fast "friendship". Although some scenes did sag a bit long, I have to admit this low budget beauty took me by surprise. The way the film handles how gay and lesbian stereotypes are just that - stereotypes - is both charming and funny. And the way that it's shot - - remember "Heathers"? That same kind of psychological fish-eye lens is used in key scenes and it's a real nice touch. Rating: 4.0 Martinis |
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